Quote: Original post by lack o commentsNo worries! I appreciate it.
Again, I don't have any sort real education or training in this stuff so I tend to make up words as I go [grin]
Quote: Original post by lack o commentsBy "omnipresent' I was trying to convey a sense of space and direction. As I said before, I can simply close my eyes and listen to the music and by doing so, pinpoint the fact that it is being generated by the speakers in front of me. What tends to sound better is when the listener cannot associate the speakers with generating the source of sound, but rather it seems as if the music exists within the room. Does that make sense?Yes that makes sense. Some mixes I can get that sort of feeling and some I don't. Within the parameters of this particular piece, the setting of the cello is situated Stage close which is probably why that actual instrument appears so prominent. I also equalized the hell out of it and probably added a wee bit too much reverb. Changing things like that might help with getting the mix to a more natural positioning. Thanks for the comments.
Quote: Original post by lack o commentsI listened again, more closely this time, to the melody. I really think that shortly after you start the beat that the strings should fade out a little (so you can better hear the rest) and perhaps a wind instrument of some kind should bring a more structured and faster paced version of that theme into the song. It would help the listener stay with the bass and beat and keep a sense of energy. Again, that's just my personal preference so feel free to ignore or adapt.Hmmm...Yea! I was thinking a flute and an oboe could add a lot to various points in the piece. I think what I need to decide now is whether or not I want this piece to be orchestral or electronica oriented. I don't think the 2 are mixing well at the moment.
Thanks again for listening!
Ryan