Sorry to just dump links instead of conversing myself, but Daniel Cook has also shared some relevant thoughts in a post titled "plagiarism as a moral choice", and I don't think it would add much value for me to just repeat what has already been said by others in these links.

It isn't bad to be inspired by other games, but that doesn't mean it's going to be unique. After all, it's not the mechanics that make the experience fun, but how they interact to in the end make the player feel and whatnot. (http://penny-arcade.com/patv/episode/aesthetics-of-play). As such, there's nothing wrong with taking mechanics from another game to help make your own game, but the innovative games like Dwarf Fortress and Minecraft require more.

On a similar note: http://www.everythingisaremix.info/watch-the-series/

I think asking for pure originality in game design is becoming more and more similar to asking for pure originality in a story or plot. There's a limit to how many different types of story people enjoy, and likewise there's a limit to how many different types of play people like engaging in.

The fundamentals are largely in place so the innovation will be in the details, implementation, and combination of different elements.

I'm a musician, so let's relate this to music. There are 12 notes in Western music (we're talking 12 tone equal temperament, not any of the 19 tone or other styles). Rhythms can be divisions of 1, 2, 4, 8, 16, 32, and sometimes (but not very realistically) 64, as well as divided into triplets, pentuplets, septuplets, and so forth.

There are 4 basic types of chords: Major, minor, diminished, augmented, as well as extensions (9ths, 13ths), suspensions, etc.

there are common chord progression: I - IV - V (G C D in the key of G Major) is used in many songs, especially rock or acoustic singer songwriter stuff. For instance, Taylor Swift and John Butler may use the same chord progression (not that I know their progressions off hand, but it's a safe bet). I don't think it would be very wise to compare the two:


Furthermore, they both have a lead singer and guitarist (who write their own songs), a bassist, and a drummer. Both follow conventions of verse chorus progression, and use common time signatures such as 4/4.

Now let's take a look at a song that was completely "stolen":



Same song, but different interpretations on instrument, tempo, accompaniment, accents, and many more.

In music, it is said that there are no original ideas. As long as you're not soullessly ripping something off, I don't see the argument. Copying a success for profit without passion will get you nowhere. But why would we shun the progress and knowledge of those before us?

"Wired" is one of my favorite magazines. It has been inspiring and entertaining to say the least.

I feel that popular culture has many overused and misused words, such as legend, hero, like ( Like, I'm listing them, ya know Like - give me a break) , awesome, and... and... and... stealing. When I was kid, I overused many words - enough said about that.

I wonder how things will be in the next several decades with many more people making things. Will there be more public domain and open source stuff because of this "stealing"? Will the laws be slacked or not enforced more than now? In a "pirated" culture of millions of downloads per day, is anarchy around the corner? Yipes! It could get scary!


Clinton

I posted this article in several forums, and this is the only one with a community that took to it with their own great ideas and opinions. Thanks for that!

I would disagree with Wildfield in that taking mechanics from other games is NOT wrong. What's wrong is taking all of a game's individual mechanics and creating a clone with them. In the article I talked about how a great designers can identify one great mechanic in a game (like line-drawing), and then use it in a different system to create something new and fun. That's "creative stealing."

Very good points.

The same thing applies to every other art form.

Colors work a certain way. They have meanings, temperatures, and opposite colors that compliment them and make them pop. Using colors is as much a skill as a creative thing, and there is a science to using them properly. Mixing random colors together gets you something that looks like puke, or rotten food. Color schemes also have common meanings

Purple and Gold = Power, Royalty (Princess Zelda, Princess Peach, Prince, Prince Jafar)
Mild Greys and Browns = Mild, Down to earth
Black and White = duality, contrast, inner conflict, etc... (The Crow, Seperoth, etc...)

If you look at the cast of characters of a well designed game or cartoon, their color schemes would describe their personality. All the characters in FF7 have color schemes that match their personalities and backgrounds. People still talk about them 16+ years later and compare everything against them. They owe that as much to skill and formula as they do to creativity.

Once you realize this, you'll notice that similar characters in every well designed work will have the same colors or color schemes. No reason to be original about it. When they use pre-defined color schemes, we subconsciously know everything about a character from the second we first see them, and we identify with them more!

Composition works a certain way. Everyone sticks to the same rulesets about how to compose a work of art to have it read clearly and be as effective as possible.

There are standard lighting schemes (color scheme from above + light positions).

Standard ways to photograph buildings (usually 45 degree angle, from below, with one of the corners pointing up). If you photograph them head on, they look boring. If you photograph them from slightly different angles, they look like in the process of falling over.

All movies follow the same formula. The first 20 minutes established the characters and the situation (in a longer movie, this can be the first 30 minutes). The middle has the character(s) facing challenges and the problem to be solves intensifies. The last 20 minutes have the character resolving the problem and the plot being wrapped up. The first 20 is a good rule to follow when in the theater, because it helps sell the audience on everything up front and get them interested. You're considered a failure if the audience doesn't know that the movie is after the first 20. Also works well on tv when they show the movie, because the standard airing format has the first and last 20 minute segments free of ads.

So everything is the same, over and over again.

I posted this article in several forums, and this is the only one with a community that took to it with their own great ideas and opinions. Thanks for that!

I would disagree with Wildfield in that taking mechanics from other games is NOT wrong. What's wrong is taking all of a game's individual mechanics and creating a clone with them. In the article I talked about how a great designers can identify one great mechanic in a game (like line-drawing), and then use it in a different system to create something new and fun. That's "creative stealing."

Because of how opaque games can be, it's even possible to make a game that appears to a new player like a 100% clone - immediately visible mechanics, graphics, everything - and yet it will be a new and worthwhile experience because the mechanics are tuned differently and high end play is entirely different. This type of thing doesn't happen much, of course, since it's a slam and dunk to shut down with a copyright claim. (I know of exactly one example of this: Grid Wars 2, which "clones" Geometry Wars, but is to my impression a far better game despite being an unpolished hobbyist effort.) And at the same time, the likes of Zynga and EA release totally shameless clones which offer nothing of their own and make new assets (still in pastel colors, still in same perspective, still the same mood...) just enough to get away with it.

I'd be quite okay with it if someone copied my ideas and was successful off them.

Imitation is the greatest form of flatery!

Besides, if you go after games for "copying" each other, then I hope you also go after fashion designers, car makers, chefs, architects, lawyers, politicians, etc etc etc.