Cover is disturbing. What's with the fox head plastered on a girl's body? Who wears a mid-thigh skirt in a snow storm? Also, white on white is a bad choice for the text.
Since the price is $0, I picked it up. I could only read the prologue and the first chapter, and even that took effort.
Pick an age level and stick with it. It feels like you are trying to write a young adult fantasy. The text doesn't bear that out, but it feels like that is the goal.
Beginning in the first paragraph you have some fairly basic language: "The wind blew softly, sweeping small dust clouds over the cobblestone roads". I instantly had confusion with "sweeping small dust clouds" . Does that mean clouds of small dust? Dust clouds that are small? Clean it up.
Then you jump to "The only light came from the stars, and the occasional candlewick flames swaying with the air as nocturnal villagers tried to get some reading in before slumbering." Have you tried to say that out loud? The words are far more advanced than typical young adult fantasy.
Then you reach this gem: "At the same time, Nephro, a red anthropomorphic lobster, sat in his home, hunched over before a parchment." You're going with "anthropomorphic"? That's not young adult language.
Then down another paragraph, "A female anthropomorphic ibex goat barged in, hooves stomping on the wooden floors with footprints of dirt." :blink: What kind of book am I reading? This is not young adult fantasy, not with words like "anthropomorphic ibex". What kind of hooves create footprints? Are they floors that have footprints, or are the footprints freshly made from the hooves?
Sentence structure is irregular. You have many clauses in your sentences and hold them together with commas. It feels like you put together a bunch of sentence fragments and stuck them together without rhyme or reason. A good warning sign for these problems is comma use. In your first ten sentences you have 14 of them as you string together concept after concept.
Paragraphs are not cohesive. They should generally express a single idea in the first or final clause. All other parts of the paragraph should build on the idea.
Chapter one, the first paragraph expresses at least two ideas: the realm of the Sphere and the realization that the world is filled of heroes and villains. It feels like you might be developing a few more ideas, but they awkwardly die in the middle.
The second paragraph expresses four ideas: the idea of a castle under construction, who the characters are ("anthropomorphic primates"), the summer season, and that nobody is working (stated four times). It is important to establish the scene, but the structure is far too complex for the simple idea of a castle construction site and slow-moving workers.
The third paragraph: More "anthropomorphic primates", the idea of protective guards, the fact that you have a democratic kingdom, the technology level of castle guards using battleaxes, the idea that armor fit badly, that they were lazy, stupid and incompetent, and (three times) pointing out that these are primates. Sorry, anthropomorphic primates. Not to be confused with the anthropomorphic birds covered in the following pages.
The small bit of dialog is nice, for a page or two. I'm wondering why you've got locations like "Castle 52" and "Village 208". Sadly, the issues above resume and make the rest of the chapter painful to read.
I am trying to get multiple opinions in order to assess my audience.
My opinion is that the author needs go to a community college and take a few courses on written English, with particular focus on feedback from the instructor and classmates. I would also advise reading the text aloud to other people just to hear how it sounds.
Also, I'm moving this to the Writing forum, where it is a much better fit.