How much should you charge? As much as you possibly can. Seriously! For several reasons:

- you want the client to value you and your craft

- you want the client to value audio as well

- you want to stand out from the rest. Make great content and don't be afraid to charge for it

- you want to keep the audio profession alive and thriving.

- you want to make this your business. So aim as high as you can!

Try to avoid:

- working for peanuts (or even worse, for free!)

- being vastly undercut by counter offers. In other words, don't be afraid to say no

Some advice:

Set a number that makes you feel good about yourself and your work. A number that will make you feel good about the transaction. Nobody likes working for super cheap. Don't fall into some of the common traps some devs will try and throw at you (i.e. "I'll pay you on the NEXT game!" "This will be a HUGE break for you!" "We'll do profit sharing and we'll all get rich") Be picky about who you work with and what you are work.

Figure out how much it costs for you to pay rent/mortgage, pay your bills, have a little bit of fun, eat food and live your life. Then figure out how much time it takes for you to finish a track. And I don't mean when you, the composer, feels done but rather when your client feels supremely happy with your work.

Here's a big one: you mention often how much money you've spent on your DAW/samples. That's only part of it. You've also spent your time learning, practicing and studying music/production/etc. Consider that as well.

One follow up:

If you set a rate and then after 6-8 months you've had zero sales, something's off. Either in your rate, your actual music or the way that you're marketing/promoting/branding yourself. I never freak out when a dry spell of a month to three months comes along. They always do and then it passes. Remember the saying "feast or famine" applies heavily to freelancing. But after 6-8 months, you SHOULD have at least one sale/commission/gig for your work. If not, then it's time to reassess and try new tactics, write/produce different music or adjust your rates.

Best of luck!

I paid $400 for my samples and DAW, why should I give my music away for so cheap?

I realize that good samples can be pricey. Unfortunately, you are competing with composers who have spent thousands on their rigs: Computers, $2-4k worth of sample libraries, breath controllers, etc. Or even composers who, for their demo reels, paid the $ to hire an orchestra or have some live instruments to play on their demos.

You are correct in that your compositions are good. But many (most?) game developers won't hear past the mediocre production values due to your sample libraries. That may not be 'right' but that's pretty much the way it is. So you may lose out to a 'worse' composer, but who has better production (samples).

One thing you might want to look at that's relatively inexpensive is to try out "Composer's Cloud" by east west. You can pay by the month, and there is a 30 day free trial.

http://www.soundsonline.com/composercloud

Get a couple pieces in really good shape with your existing samples, and then signup for the trial version. Youll have to spend some time learning the library (learning how to use a sample library can be like learning an instrument--it takes some practice to make it sound good). At the end of the 30 days, you'll have a couple of really good demos. And you know that when you get a gig, you can always pay $30 ($15 if you're a student) and have all those sounds again for only as long as you need them.

(Note: I am not affiliated with East West in any way)

Good luck! I challenge you to re-post the music you posted above, but re-recorded with EW composer cloud samples!

Brian

Yup, another suggestion for Composer Cloud as a possible solution. I've made this suggestion before to you Young. I think you'd be very wise to look into it. At $30 a month (or cheaper for students) you can most likely make this fit your budget and it would be a huge improvement for your productions.

Great thread with some good advice here. I'll be referring back to it.

Also, yeah OP I'm starting to listen to your SoundCloud and you have some great stylized stuff! :)

I worked at a start-up and started with built-in samples for sounds at first. Then I got EWQL as a really delayed graduation present, actually, and you're exactly right, it takes a LONG time to make a work with that. You're micromanaging pretty much every single note in literally ten or more different ways! O_O Likewise, looking into freelance, I'm wondering what kind of rates I should charge for doing work with that for someone too, and it's one of those things where it's as much work as your ambition level.

I mean, there's a huge, HUGE difference for getting someone a minute of music with five instruments versus 20 more with a virtual orchestra software! That's where I think I'd have to have a dialogue with a client - it's not just the amount of time, it's the complexity. After that it might come down to a rate more based on how much time I think it will take - I have an array of samples on my SoundCloud fortunately, some with the virtual orchestra software and some not. Maybe it will be a conversation like, "if you want THAT kind of work, I'm looking at 'x' number of hours so it will be 'y' amount."

Those are my thoughts, being someone just about to try freelancing.

The other thing about samples is that almost every library maker or site offer periodic discounts, sometimes of 50% or more. Get on their mailing lists and save up in preparation for the sales.

Exactly Kylotan! I save up every year and buy a round of things during the Black Friday/Cyber Monday deals. I've done this for several years and you can save some serious cash.

I've listened to "Endless Courage," "A March Towards Victory" and now "A Courageous Fight." I thought I heard some weird skips in "Endless Courage," but I'm really liking "A Courageous Fight!"

Admittedly I'm not a samples/synth expert, but these sound good to me as they are. The only thing I think they need is a better EQ; a more powerful bottom end and cleaner high end.

The vast, vast majority of people won't know or care if you have the latest oboe sample. Not having the newest this or that is often an excuse for inaction. "I'll finally do ____ when I have _____." In the meantime, your audience doesn't know the difference between a Stratocaster and a Squire, they just know if they like the song.

The idea is to make money, not spend money. Get all you can with what you've got and improve as you go along!

Hey YoungProdigy, I've been listening to your tracks and I think they sound great. I don't think you should worry too much about stuff you can't afford right now, just work at composing good music and pick up software as you go. One thing about libraries is that your goal is to try and make it sound realistic, which kinda limits what you can do creatively. Consider the guy who wrote the music for Bastion. He was just messing with the stuff that comes with Logic. I don't know if he was using samples or synths, but everyone loved the soundtrack because it was really creative.

Anyway, good luck to you!

Thanks for the advice guys. I think until I get super realistic samples; I'll market myself as a retro composer.

I think marketing myself as a retro composer; that I could get away with charging $100/minute or $100/track.