http://www.youtube.c...h?v=00gAbgBu8R4
What do you guys make of this? Personally I'm not sure what I think and something about it seems a miss...
Unlimited Detail Real-Time Rendering Technology?
There was already a topic posted yesterday:
http://www.gamedev.n...ing-technology/
and in april:
http://www.gamedev.n...ail-technology/
and a year before that:
http://www.gamedev.n...limited-detail/
and probably other threads too...
This guy pops up with his exaggerations about once a year (he's been working on this since 1995), and is somewhat of a joke in the game industry.
He's got a data structure for efficiently doing ray queries against point-cloud data. That's about it.
It's not even a unique achievement. There's plenty of public research on the same topic if you want to make your own.
If you want to know what's amiss -- he doesn't have:
* proven destruction/deformation (kinda important for a lot of modern games).
* proven large-scale animated scenes (they've only shown a single small model with animation).
* proven storage of large scale data-sets at all (the demos are heavily instanced).
* proven work-flow for content creators (this is what they're working on now, after getting investment).
* proven shading pipelines (no description of the "pixel shader" equivalent in his system).
* decent art to show it off.
* decent frame-rate (20hz is 'interactive' but not 'real-time').
* GPU acceleration (games need the CPU for other tasks too).
http://www.gamedev.n...ing-technology/
and in april:
http://www.gamedev.n...ail-technology/
and a year before that:
http://www.gamedev.n...limited-detail/
and probably other threads too...
This guy pops up with his exaggerations about once a year (he's been working on this since 1995), and is somewhat of a joke in the game industry.
He's got a data structure for efficiently doing ray queries against point-cloud data. That's about it.
It's not even a unique achievement. There's plenty of public research on the same topic if you want to make your own.
If you want to know what's amiss -- he doesn't have:
* proven destruction/deformation (kinda important for a lot of modern games).
* proven large-scale animated scenes (they've only shown a single small model with animation).
* proven storage of large scale data-sets at all (the demos are heavily instanced).
* proven work-flow for content creators (this is what they're working on now, after getting investment).
* proven shading pipelines (no description of the "pixel shader" equivalent in his system).
* decent art to show it off.
* decent frame-rate (20hz is 'interactive' but not 'real-time').
* GPU acceleration (games need the CPU for other tasks too).
. 22 Racing Series .
Yea, there's absolutely nothing about this tech, taken from what the guy has said about it in his videos, that interests me from a game development standpoint. Right, making games look trillions of times better will make games better. Uh huh. Scuse me while I go play through Deus Ex for like the 9th time....
Drew Sikora
Executive Producer
GameDev.net
Yea, there's absolutely nothing about this tech, taken from what the guy has said about it in his videos, that interests me from a game development standpoint. Right, making games look trillions of times better will make games better. Uh huh. Scuse me while I go play through Deus Ex for like the 9th time....
I think it would open up a ton of possibilities for artists to express themselves without having to deal with polygon budgets. That would help a lot. Not to say that gameplay isn't more important, but technical art budgets being expanded to such a degree would have a huge impact.
I think it would open up a ton of possibilities for artists to express themselves without having to deal with polygon budgets. That would help a lot. Not to say that gameplay isn't more important, but technical art budgets being expanded to such a degree would have a huge impact.
Not really; you'd replace 'poly budget' with 'voxel budget' instead.. and right now it has all the problems Hodgman listed.
Yea, there's absolutely nothing about this tech, taken from what the guy has said about it in his videos, that interests me from a game development standpoint. Right, making games look trillions of times better will make games better. Uh huh. Scuse me while I go play through Deus Ex for like the 9th time....
"Look better" is barely about poly counts anymore. The current challenge would be the uncanny valley.
But too much graphical detail annoys me in a similar manner. The pebbles on the road example are nice. But then the very first thing my brain will want to do is to kick them or draw a line in the sand. Or if I shoot in the ground, I expect individual pebbles to fly around. And then interact with a nearby cardboard box, punching hundreds of holes in it. And here is where the system breaks down. But for plastic don't-touch scenes, sure, why not. It does look nice.
And just like invisible walls are annoying, this static nature of such high detail will be a detractor. Level designers managed to work around it mostly, but for open spaces we're still confined to islands surrounded by endless sea.
----
They seem to be using heavy instancing. I wonder if fractal algorithms could be put to use. Or if a generalized tree structure with arbitrary non-orthogonal subspace divisions would work.
Yea, there's absolutely nothing about this tech, taken from what the guy has said about it in his videos, that interests me from a game development standpoint. Right, making games look trillions of times better will make games better. Uh huh. Scuse me while I go play through Deus Ex for like the 9th time....
9th time this year, or month?
But I'm still hopeful that technology like these guys are doing is actually real, and not smoke and mirrors to leech off investors while they produce vapour ware. Because honestly, this isn't just about making games look good, but it is also about making it easy to make a game look good.
Personally I think if we develop the graphics systems to allow anyone to easily produce beautiful games, then that just means there are that many more resources that can be devoted to make the games themselves good. Once large studios can no longer focus on just making pretty games to try and appear head and shoulders above their peer's products, it will mean they have to actually make great games to appear head and shoulders above their peers.
If it works as they are promising it will, then great. If not, then fine. I'm not an investor, so I have nothing to lose.
Old Username: Talroth
If your signature on a web forum takes up more space than your average post, then you are doing things wrong.
If your signature on a web forum takes up more space than your average post, then you are doing things wrong.
Welcome to tessellation. Who cares about this tech when tessellation owns.
NBA2K, Madden, Maneater, Killing Floor, Sims
[quote name='way2lazy2care' timestamp='1312401465' post='4844192']
I think it would open up a ton of possibilities for artists to express themselves without having to deal with polygon budgets. That would help a lot. Not to say that gameplay isn't more important, but technical art budgets being expanded to such a degree would have a huge impact.
Not really; you'd replace 'poly budget' with 'voxel budget' instead.. and right now it has all the problems Hodgman listed.
[/quote]
The point is the promise of how much they are increasing the budget. It's not a small incremental change, it's a 100 fold change. I know for certain that the palm tree example is something that bothers me. Even little things like using bump maps and normal maps on things like the molding in doors/rooms bugs me.
Obviously if somebody found a way to increase polygon budgets to the same degree I would be just as impressed. Like Luckless said, it's about making it easy to make games look good. Haven't you ever wondered what your artists could come up with if they weren't so limited?
Welcome to tessellation. Who cares about this tech when tessellation owns.
You do realize that's because of dedicated hardware support right? Tesselation takes inputs to generate more triangles. So many in fact that they're about the size of a pixel. On top of this you have multiple maps like specular, normal, displacement, etc. With all this data there are people that are realizing there are other ways to encode and render the objects which is probably faster. Showing these techniques running on a GPU of all things puts the GPU triangle renderers to shame honestly.
It's a good thing GPUs are becoming so general purpose nowadays that techniques like this can run on them. A dedicated hardware implemented raycaster (meaning custom hardware) would simply crush a triangle renderer. With SVO or nested grid ray traversal you simply step through encountering voxels one at a time making single object transparency calculations are trivial. (Multiple intersected objects requires techniques akin to DX11 linked list OIT though). Triangles are rasterized in a rather slow way that pretty much requires a GPU dedicated hardware. Also if you know how real-time radiosity can be done using light propogation volumes you immediately begin to realize that dedicated hardware based raycasters are much better technology.
I wrote a small javascript based voxel renderer for fun a while back. Doing the same with triangles would have killed my CPU. (Before anyone asks, I've tried implementing a 3D system in JS. After like 1K flat shaded triangles it starts to slow down fast). The point is stop comparing something you see running through dedicated hardware to something that performs almost the same on a general purpose CPU.
Anyway I support them. I've read most of the papers on SVO rendering, so whatever they're doing with point-cloud data seems to be working (and working fast).
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